During the Landscape-analysis, I tried to spy the factors that have an impact on the land. It has been no slight task. I have been concerned with graphics of natural forms and landscapes for years before this project. With the scene alone, I was not confident, I wanted to dig deeper. Out of the tiniest part of the landscape, I wanted to create something nearly realistic. The most minimalistic landscape is a line. This can be folden into 3D, which creates a surface. I realized this surface of concrete and planted moss on it. The immaterial line embodied. This process is also shown with the wireframes and the green plant-textures on the foil. The small aquarelle paintings standing on the landscape-abstract borderline represent the incomprehensible aspect of the land. Water is an integral part of the work since it is life’s prime want for the moss and the watercolor as well.